Posts tagged: Horror

1001 Movie Club: The Host (2006)

When the term “monster movie” is thrown about, to some it evokes the shaky hand-held glimpses at the Gozilla-esque creature from Cloverfield. To some others, it brings back memories of the Godzilla-esque creature from 20 Million Miles to Earth. I’m sure somewhere it even evokes memories of Godzilla. But rarely does a monster movie find a way into the human psyche and human spirit.

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Top 10 Horror Films of the 2000s

Horror films, at their best, can present very effective mirrors to some of society’s biggest problems. Through the history of the genre, film after film has presented an outlet for anger, sadness, or even parody of pointless wars, consumerism, greed, and a slew of other attributes. In a way, horror films make the perfect allegory in presenting challenging ideas in an entertaining way. Some are schlocky fun, others have transcended into a beautiful art form.

Compiled here are This Guy’s picks for the top ten horror films of the 2000s (2000-2009.) The list is based upon theatrical distribution as well as loyalty to the genre, (as there are many films that might be considered horror, though they fit more applicably into another category, i.e. Shaun of the Dead.) *Note: this list is subject to change and if it does it shall promptly be reposted with the appropriate information.

#10. The Mist is Frank Darabont’s venture into B-movie fun proves itself as an entertaining and often jolting film. While the whole film doesn’t work, what does work is such a delight. A couple of great performances and numerous religious/anti-religious themes elevate this from schlock to lock stock and two smoking barrels… or at least just the smoke… okay okay, ‘mist.’ It’s part sci-fi, part horror, and part human psychology experiment. If nothing else, this film shows that in the right hands Stephen King’s work can still deliver theater worthy experiences and shouldn’t be entirely banished to the small screen.

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Shutter Island (2010)

Starring: Leonardo DiCaprio, Mark Ruffalo, Ben Kingsley
Director: Martin Scorsese
Country: USA
Genre: Thriller-ish.

At Shutter Island nothing is as it seems.

In his fourth collaboration with DiCaprio, Scorsese has pulled out one of his best performance, and crafted perhaps one of his most interesting films. Sure to infuriate some and delight others, Shutter Island is all about evoking a response out of the audience – participation. It’s a detective story about a detective, but the investigation isn’t the investigation that the detective is investigating. Or is it? It raises a lot of questions, and doesn’t take the audience for granted in finding the answers for themselves. Also, in a departure from his usual visual style, Scorsese has created one of his more luscious looking, albeit foreign feeling, films to date.

An In-Depth Look: Shutter Island

For nearly forty years Martin Scorsese has been one of the more prestigious American directors. From his rebellious early days of anti-heroes, to his classy gangsters and tough guys, his worldly melodramas, two things has been ever prevalent in his films: blistering character studies and a constant reinvention of directorial style. Shutter Island may be the culmination of Scrosese’s accumulated knowledge of film.

Reception to Shutter Island has been all over the place. Some consider it a confusing mess, others consider it eloquently puzzling.  Both arguments can be completely justified. Scorsese’s newest film is a confusing mess and can definitely wear on the nerves of those who don’t buy into its allure, but those who do will find a plethora of rewarding characteristics.

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American Psycho (2000)

Starring: Christian Bale, Willem Defoe, Reese Witherspoon
Director: Mary Harron
Country: USA
Genre: Horror, Thriller

Corporate America has been slowly killing people for years. At least Patrick Bateman is honest about it.

Mary Harron translates Bret Easton Ellis’s sterile and deeply disturbing novel into a quiet masterpiece of cinema. At first glance, American Psycho doesn’t necessarily feel like a horror film; it’s surface is plastic and shiny, but once you peel away the mineral face mask, a violent and truly disgusting beast is revealed. Most of the film feels artificial, meticulous, and staged, but there are these piercing moments of insanity that are incredibly perturbing. It’s part Taxi Driver, and part an expensive Italian silk suit. Social status has never been so savagely explored.

Dawn of the Dead (2004)

Starring: Sarah Polley, Ving Rhames, Jake Weber
Director: Zack Snyder
Country: USA
Genre: Horror

It’s no secret that the first decade of the 2000s have bred handfuls upon handfuls of remakes of older films, particularly in the horror genre. Most of these remakes are completely forgettable; cheap thrills made for bored teens on a weekend evening. But of those handfuls, there are a select few that show their respect for the source material and separate themselves by creating something else wholly inventive. Zack Snyder’s debut is one of those rare remakes that use the original as inspiration to expand on other ideas and themes in the concept. His direction his highly stylized, the story deals with hints of humanity, and there are plenty of jumps, scares, and blood-dripping amusement. Character development isn’t abandoned to make room for flimsy tension, drama isn’t sacrificed to make room for concept. Romero’s original is a milestone in the horror genre leaving some big shoes to fill, but Snyder’s remake can boast that it was one of the more entertaining films of 2004.

An In-Depth Look: Paranormal Activity

paranormal_activity **May Contain Mild Spoilers**

There are theaters all across the country that show midnight screenings of horror classics like The Exorcist, Texas Chainsaw Massacre, and the Evil Dead movies. More times than not, these screenings are sold out to cult fans and their “Oh my god, you haven’t see it yet?” friends. It’s with this cult-building mentality thatParanormal Activity has garnered so much attention.

The Audience Experience

Paranormal Activity should actually be named The Paranormal Experience because it’s not just the film itself that develops the suspense of seeing it. It’s the anticipation in the line for tickets, an hour before the show starts, deciphering whether or not you’re going to chicken out at the front door the way you did when you were four-years-old and your parents took you to Disney World and you waited in line for over an hour to get into the Haunted Mansion.  It’s cramming into a tiny theater next to people you don’t know wondering if they’ll think less of you for shrieking like a twelve-year-old girl, even though you (may be) a grown man.

While the film plays, there are simultaneous things happening: you’re watching the film, and you’re watching the audience. It’s really amusing to see 150 people sink into their seats in synchronicity. It’s comforting to share a nervous laugh with 200 people after an intense moment. Paranormal Activity is what going to the movies was made for.

The Film Experience

The film itself is really quite impressive. Forget the fact that it was only made for $15,000, most multi-million dollar films aren’t as successful at achieving what they set out to do.

It starts off rather abruptly without any company logos or credits which may seem like a miniscule thing, but it already throws us off guard not knowing what to expect. Quickly we get to know the main characters through the self-shot documentary style, (that constantly forces this film to be compared to The Blair Witch Project.) Within a few minutes we get to know the two main characters, Micah and his girlfriend Katie, and their problem: something weird is happening in their new home.

In these opening minutes we almost immediately bond to the main characters instinctually. They are both relatively attractive, but real people. Micah is funny, Katie is sensible and grounded (which makes for a wonderful juxtaposition for later in the film.) From the beginning it’s apparent that these are actors, incredibly skilled actors, but actors nonetheless, (thankfully though, as that gives you something to during the terrifying parts.)

The first fifteen minutes are spent providing the audience with very concise information needed for the narrative of the film. Micah has just purchased a new camera in hopes to catch one of these weird events on camera, Katie has been experiencing odd things her entire life in every place she’s lived, and an appointment with a psychic tells us that they aren’t dealing with a ghost, but rather a demonic presence, something that he doesn’t specialize in.

Then, the crux of the film begins. Night #1.  Katie agrees to let Micah set up his camera while they sleep, as that’s when the activity is at its peak. There isn’t much captured, but this establishes quite a brilliant shot that the entire film hinges on. A static shot with their bed framed on the right hand side of the screen and an open doorway looking into a darkened hall (with a stairwell,) on the right.

paranormal-activity

This shot utilizes the potential for numerous examples of simple fears. We clearly see two defenseless people in the most sacred of places, their bed, a place we all look to for comfort and relaxation. Doors are a cornerstone of horror films, as they are visual representations of ‘the unknown’, (what’s behind door #1?) And lastly, where our attention is drawn most for this shot is the darkened hallway, which provides the most possibilities for a threat to intrude, however our view is highly obstructed due to the lack of light. Our eyes play tricks on us.

After the first night, the film really hits a rhythm as it slowly dissolves from scene to scene giving just enough information to plant new seeds in our heads of the potential of this evil threat during the day, and escalating the activity bit by bit at night to slowly build terror. And each time the movie shifts into a sleeping scene, the audience becomes slightly more uncomfortable.

One way it does this is through the power of suggestion.  The story that Katie tells at the beginning of the film of what she’s experienced her entire life lays the groundwork. The psychic giving his opinion that it’s not a ghost but a demonic presence adds another layer. A little later in the film, Micah is lying in bed reading a book about demons, and as he flips through the pages it shows numerous pictures of beasts.  I’ve never seen an audience react to heavily to pictures in a book. What it was doing was giving us the tools to invent this demon in our heads, as nothing can create something as terrifying to us as our imaginations.

Paranormal Activity really takes its time. By the third night, one would expect something significant to happen, perhaps catching the first glimpse of this creature. Instead, it slowly grows in activity, ranging from footsteps to the door moving on its own, which makes the second half of the film incredibly potent.

Over time we slowly begin to draw conclusions of what is going on. The psychic clearly states at the beginning of the film that the demon feeds on negative energy, and that its desire seems to only be one thing: Katie. As the film wears on, Micah’s obsession with catching something paranormal begins to eat Katie away from the inside out. A wedge begins to show its ugly face, but she allows filming to continue. But when Micah begins to provoke the demon, things become exponentially active.

The thing that makes Paranormal Activity really effective is that it abuses our sense of helplessness, of not having control over a situation. About halfway through the film, there’s a scene in which Katie sleepwalks. She gets out of bed, and stands at the foot of it, sleeping, forhours before leaving the bedroom into the darkness of our worst fears.

Watching Katie and Micah slowly descend into instability is also an unsettling process. You can’t help but sympathize when they begin to grow weary from sleep deprivation. These are good people, and you want the best for them, which makes their breakdown far more terrifying, because that could be you.

paranormal-activity-dwrks2

The After Effect

The best horror films stay with us afterwards, make us afraid to walk from our car to our homes, make us check behind the doors as we walk into rooms. Paranormal Activity really assaults the senses with its resonance. The two things that the one brilliant shot employs, every bedroom on the face of the planet has: a bed and a doorway. So at night, you’re left with no choice but to conger up the lingering images from the film.

There isn’t a single element of the sleeping process that it doesn’t associate with some sort of fear… having your blankets loosely draped over your bed, your feet lying helplessly at the foot of the bed, seeing things in your doorway, or if your door is shut, noises on the outside of it. If you live on a second floor, it reminds us of a childhood game where one would pretend to hear footsteps on each stair until it reached your doorway. Seeing things at the foot of your bed, sleep walking, nightmares, and, of course, the attic.

I would be lying if I didn’t admit that after seeing the film it made me hyperaware of my surroundings at night… and I may or may not have slept with the lights on for a night or two. It’s really a perfectly constructed horror film.

Longevity

The one downfall this film may encounter is lack of longevity. It’s really hard to tell whether or not this will be just as fun watching it on your couch or if the audience experience is something necessary.

After you know the end, it might prove to be less scary, but enduring their descent seems like a journey that can’t not be affecting. And reliving the images in the film seems as though it would reactivate any fears you might’ve suppressed from previous viewings. So it’s difficult to determine the shelf-life of Paranormal Activity.

Though that point is probably moot as this film is sure to accumulate a massive cult following which will surely create sold out midnight screenings until the end of time.

 

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